It is perhaps dangerous to be too assertive when giving an account of Kierkegaard. There’s a whole series of multiple meanings and possibly even the odd trap and foil for the unsuspecting, though less so than in Nietzsche. To think on from Kierkegaard, however, is to grant oneself a license to be wrong about what he said but still right in what is said. An exculpation, no doubt, but one that seems almost ‘truer’ to Kierkegaards’ thought than a slavishly accurate but effortless exegesis. Nonetheless this is an excuse even whilst it may be an exculpation.
It is with these caveats covering my back that I approach the ‘Preamble from the heart’ [Fear and Trembling: Penguin 2006, henceforth FT]. It is, to locate the exculpation within Kierkegaards’ own words, in an attempt to do some of the work so that I may get my bread with justice that this approach is made. The ‘Preamble’ is the introduction in the drama that is FT of the Knight of Resignation and the Knight of Faith within FT. We are to meet these key conceptual personae – as Deleuze would call them – as Kierkegaard attempts to conceptualise and think the problem of movement. It is how things move that is crucial to the Preamble, what it is that makes something a movement. To tighten this some, it is what makes a specific kind of movement exemplary or vital to the very notion of movement itself.

