Author: Razorsmile

  • ATP reading notes 4 – milieus and abstract machines

    ATP reading notes 4 – milieus and abstract machines

    I missed the reading group on October 13th, when they discussed Chapter 2 (1914: One or several wolves), and so I’m turning to the Chapter 3 10,000BC: The geology of morals. I will return to Chapter 2 when I have time. We read the first half of Chapter 3 on October 20th, up to but not including the paragraph that begins ‘Most of the audience had left…’ (ATP 57) and will continue with the remainder of Chapter 3 next week. As a reminder, these notes are in no way a report of the reading group, rather they are my notes and thoughts which will be informed by the discussion there, but all mistakes and errors are my own.

    The ‘double articulation’ that is the focus of this chapter is that of the ‘codes’ and ‘territories’ that are probably quite familiar to readers of D&G. The processes of code and territory produce many of those curious ‘jargon’ terms so hated by critics, terms like decoding, overcoding, surplus value of code, deterritorialization, reterritorialization. At heart, these two processes, of code and territory, involve processes and because of this the dynamics of those processes, whether they are opening or closing dynamics, are central to D&G’s discussions. What purpose do these processes have in the analytical model of schizoanalysis? They are replacements or alternatives for more traditional philosophical concepts of ‘form’ and ‘content’ and are intended, I think, to transform the analytical categories that are used to understand specific ‘objects’ (concepts) of discussion. So, when talking, for example, about the ‘nature of subjectivity’, we could analyse it in terms of codes and territories rather than in terms of language, experience, ideology, genealogy or substance. We might presumably do something similar for concepts such as ‘nation’, ‘class’, ‘freedom’ or ‘truth’.

    There is something more than merely a ‘model’ at stake, however, at least the opening of the chapter appears to pose the problem in more fundamental terms. The double articulation of codes and territories – for which the Lobster is an image – is presented as a way to understand the process of ‘stratification’. Stratification arises ‘simultaneously and inevitably’ (ATP 40) alongside or within the ‘unstable, unformed matters’ that constitutes the Earth. Stratification consists “of giving form to matters, of imprisoning intensities or locking singularities into systems of resonance and redundancy, of producing upon the body of the earth molecules large and small and organising them into molar aggregates” (ibid). In other words, stratification – operating through the double articulation of codes and territories – is the process through which something like a ‘primal flux’ comes to be ordered, a process through which the dynamic flows of matter form something like ‘objects’ or ‘substance’.

    Immediately, however, we must double the doubling, specifically we have to take into account the pairing of ‘content’ and ‘expression’ and the fact that each of these terms is, again, doubled. If ‘matter’ is the “unformed, unorganised, nonstratified, or destratified body and all its flows”, then ‘content’ refers to “formed matters, which would now have to be considered from two points of view: substance, insofar as these matters are ‘chosen’, and form, insofar as they are chosen in a certain order (substance and form of content)” whilst ‘expression’ refers to “functional structures, which would also have to be considered from two points of view: the organisation of their own specific form, and substances insofar as they form compounds (form and content of expression)” (ATP 43).

    “Double articulation is so extremely variable that we cannot begin with a general model, only a relatively simple case. The first articulation chooses or deducts, from unstable particle-flows, metastable molecular or quasi-molecular units (substances) upon which it imposes a statistical order of connections and successions (forms). The second articulation establishes functional, compact, stable structures (forms), and constructs the molar compounds in which these structures are simultaneously actualised (substances). In a geological stratum, for example, the first articulation is the process of ‘sedimentation’, which deposits units of cyclic sediment according to a statistical order: flysch, with its succession of sandstone and schist. The second articulation is the ‘folding’ that sets up a stable functional structure and effects the passage from sediment to sedimentary rock.” (ATP 41)

    The first curiosity here is this use of such a ‘geological’ model. It seems, on the face of it, that a model derived from a natural science such as geology is going to produce category mistakes if we deploy it in analysis focussed on the ‘human’. Aren’t issues of meaning, signification, sense and intention more relevant to political and social analysis? Such an assumption begs the question, despite it’s apparent obviousness to many people who are happy to merely assert some human exceptionalism as though it were incontrovertibly the case. Even if we don’t beg the question, however, there seems something a little odd about deploying ‘geological’ models in a text that purports to be about ‘capitalism and schizophrenia’. How might we connect a ‘geological’ concept of stratification to something ‘human’? Whilst this question already assumes too much importance for the human, it might be useful as a way of being able to understand what political or social implications there are in ATP, and that itself might be necessary because I’m assuming that – broadly speaking – most of the people interested in ATP are interested in such ‘human’ issues rather than in subjects such as geology, which is not to deny that there is also possible interest in the text for geologists.

    There is a second curiosity, however, which is that the specific ‘stratum’ that is addressed in the chapter is not geological or even human but the organic. The chapter is staged as a lecture being delivered by Professor Challenger, a character from Arthur Conan Doyle stories. At one point there is clearly a sense of a merging of Challenger with the authors of ATP, most notably when Challenger is described as having “invented a discipline he referred to by various names: rhizomatics, stratoanalysis, schizoanalysis, nomadology, micropolitics, pragmatics, the science of multiplicities.” (ATP 43). Amusingly the text continues as follows – “Yet no one clearly understood what the goals, method, or principles of this discipline were.” (ibid). To return to the discussion in the chapter/lecture hybrid, what we’re reading soon moves from the rather abstract account of double articulation to something more concrete – “the question we must ask is what on a given stratum varies and what does not? What accounts for the unity and diversity on a stratum?” (ATP 45) and this question focusses on the ‘organic’. At the heart of this is a discussion (ATP 45-49) that begins from a staging of the debate between Geoffroy Saint-Hilaire and Cuvier. An account of this debate is given – “Challenger imagined a particularly epistemological dialogue of the dead, in puppet theatre style” (ATP 46) – the purpose of which, however, is to present the ‘paradigm shift’ introduced by Darwin. At the end of the staged debate we find the following passage:

    “We have not even taken Darwin, evolutionism, or neoevolutionism into account yet. This, however, is where a decisive phenomenon occurs: our puppet theatre becomes more and more nebulous, in other words, collective and differential. Earlier, we invoked two factors, and their uncertain relations, in order to explain the diversity within a stratum – degrees of development or perfection and types of form. They now undergo a profound transformation. There is a double tendency for types of forms to be understood increasingly in terms of populations, packs and colonies, collectivities or multiplicities: and degrees of development in terms of speeds, rates, coefficients, and differential relations. A double deepening. This, Darwinism’s fundamental contribution, implies a new coupling of individuals and milieus on the stratum. (ATP 47-48)”

    It is this ‘new coupling of individuals and milieus on the stratum’ that is the link between ‘geology’ and ‘morals’ and through which the first curiosity I mentioned is in some sense made clearer by the second. It is this ‘new coupling’ that offers a productive and ‘transferable’ set of categories, ones that can move across the analysis of the processes of geological sedimentation into the analysis of the processes of individuation more generally, although quite how generally is still up for question as there is plainly no direct and obvious route from Darwinism to politics or sociology, or at least no direct uncontested route since at the very least we can find ‘socio-biology’ suggesting one, albeit highly contested, possibility of generalisation. The route to generalisation taken by ATP, however, is distinct from any socio-biology I’m aware of, primarily because it’s primary category of generalisation is to be the ‘abstract machine’.

    The problem that is posed as the motivation for Challenger’s discussion is the “unity and diversity of a single stratum”, what is it that enables a single stratum to have a “unity of composition, which is what allows it to be called a stratum” (ATP 49). This problem directly arises from the ‘science of multiplicities’, what I called the ‘method of the rhizome’ in my discussions of the first chapter of ATP. If ‘multiplicity’ is to be taken as a substantive and in doing so replace problematics involving a ‘dialectic’ between the One and the All, then the ‘problem of individuation’ can be posed in terms of how it is possible to call something a thing in the singular, in this case, how is it possible to discuss a stratum from within a model of the double articulation of stratification, where at any moment there is always more than one involved – the double bind of double articulation.

    In the paragraph that starts “To begin with, a stratum does indeed have a unity of composition…”, just following a brief remark re-emphasising the staging of the chapter as a lecture by Challenger, an initial move to introduce the abstract machine is made. Here the process of individuation of a stratum is posed in terms of “a change in organisation, not an augmentation” and the factors involved in a relation between a stratum and a substratum are reciprocal rather than hierarchical, hence why D&G declare that “we should be on our guard against any kind of ridiculous cosmic evolution” (ATP 49). A substratum is posed as a milieu, as an “exterior milieu for the elements and compounds of the stratum under consideration, but they are not exterior to the stratum” (ibid). They try to illustrate this reciprocal relation of exterior / interior in the composition of a stratum by first offering the example of a crystalline stratum developing from the seed and medium and then move to claim that “the same applies to the organic stratum: the materials furnished by the substrata are an exterior medium constituting the famous prebiotic soup, and catalysts play the role of seed in the formation of interior substantial elements or even compounds” (ATP 49-50). Crucially there are three elements at work here, viz. (1) the (exterior) milieu, the molecular materials (2) the (interior) seed, interior substantial elements, and (3) the limit of exchange between the two, the “membrane conveying the formal relations”, or surface. The abstract machine is the ‘synthesis’ or result of the reciprocal relations between these three elements and is given the name of Ecumenon in contrast to what they call a Planomenon.

    Before moving forward it’s worth considering why this abstract machine is important. It offers us the mode of individuation that is going to be able to explain the existence of organisation from the background of a disorganised flow of matter, although ‘explain’ might be too strong here – it offers an account or descriptive framework. It’s worth noting that the whole discussion of stratification within which this existence of the abstract machine plays its role is offered from a factical staring point, that is, the ‘simultaneous and inevitable phenomenon of stratification’ is simply offered alongside the account of the ‘body without organs’, “…the Earth, – the Deterritorialized, the Glacial, the giant Molecule…” (ATP 40). Putting aside the status of the description one thing we can note, however, is that the discussion of abstract machines, the production of an ‘Ecumenon’, is a positive account that in many ways can complement the dissolution that is often associated with D&G. Quite commonly we come across an emphasis on ‘how to make yourself a body without organs’, which might be read as a way to ‘liberate’ oneself from having been organised behind our backs by culture or social norms or ‘ideology’, or some other mode of social construction. The discussion in this chapter, however, offers an account of “how to ‘make’ the body an organism” (ATP 41), which offers itself immediately as a compliment, almost as the other side of the coin of that process of ‘making yourself a body without organs’. As such, for those interested in how D&G or schizoanalysis might offer a route to resistance or revolution and who might be left wondering where the constructive or productive process might be discussed, this is one place to look, at how one might conceive something like the abstract machine of revolution.

  • ATP reading notes 3 – mapping and tracing

    ATP reading notes 3 – mapping and tracing

    Turning to the 5th and 6th characteristics of the rhizome – the principle of cartography and decalcomania – we move from discussions of the book, of evolutionary science, of music, to discussions of psychoanalysis, the first real moment in which a continuity between ATP and Anti-Oedipus really makes itself felt.

    First, a brief note on that strange word ‘decalcomania’, and an even briefer note on ‘cartography’. Cartography, or map-making, involves the active ‘making’ of maps and that active ‘making’ element is important here, which is why it is not the principle of ‘maps’ but of ‘cartography’, or more colloquially, of ‘mapping’. The productivity of cartography is put in relationship to the practice of ‘tracing’, which is a restrictive, constricting practice. In one sense we can understand cartography as producing openings and decalcomania as producing constrictions. Decalcomania itself appears to refer to a practice of tracing that developed in the 19th century as a form of decorating pottery. It involved a process of producing a ‘decal’ that was then laid onto pottery or glass and the Wikipedia entry also indicates a couple of other fascinating connections, first to some surrealist practice and second to some work with regard fractals. I’m not sure why D&G would use the idea of ‘decalcomaia’ rather than simply ‘tracings’ here if it wasn’t to at least allude to these particular forms of tracing, since the actual discussion – at least in the English translation – reverts to the term ‘tracings’.

    In terms of the actual principles themselves, it’s important to note that they are not claiming that maps are simply better than tracings, even though at one point they say “the rhizome is altogether different, a map and not a tracing. Make a map, not a tracing.” (ATP 12). In the very next paragraph they attempt to make clear that they do not intend to “revert to a simple dualism” (ie, of the form maps=good tracings = bad). Rather the tracing has the danger of ‘neutralising’ the rhizome and in particular “what the tracing reproduces of the map or rhizome are only the impasses, blockages, incipient taproots, or points of structuration” (ATP 13). Therefore “it is a question of method: the tracing should always be put back on the map” (ibid).

    The map, in this situation, is an open, experimental and productive process, hence why it is possibly better thought of as ‘mapping’ rather than ‘the map’. In one of the most interesting lines, they claim that “the map does not reproduce an unconscious closed in upon itself; it constructs the unconscious. It fosters connections between fields, the removal of blockages on bodies without organs, the maximum opening of bodies without organs onto a plane of consistency” (ATP 12). In the discussion that follows the concrete examples they draw on come from psychoanalysis – Freud on Little Hans and Klein on Little Richard – and here the rhizome connects clearly to the thematics of Anti-Oedipus. In their criticism of psychoanalysis they say the following:

    “You will be allowed to live and speak, but only after every outlet has been obstructed. Once a rhizome has been obstructed, arborified, it’s all over, no desire stirs; for it is always by rhizome that desire moves and produces. Whenever desire climbs a tree, internal repercussions trip it up and it falls to its death; the rhizome, on the other hand, acts on desire by external, productive outgrowths.” (ATP 14)

    It becomes increasingly clear that the rhizome is being developed as a method because of it’s political (micro-political) implications. In this situation, the reference made to the relationship between mapping and tracing as involving a method makes more sense – it is a question of method assuming that we wish to liberate desire, it’s a question of a method for the schizoanalyst. In this context, one small reference stands out and that is to the work of Fernand Deligny. As the discussion on psychoanalysis comes to an end D&G refer to “Deligny’s method: map the gestures and movements of an autistic child, combine several maps for the same child, for several different children.” (ibid) Deligny’s work appears to have become a focus for research in recent years and in particular he seems closely connected to the idea of ‘lines of flight’.

    (Here’s a short essay on what Deligny called ‘wander lines’ that gives a brief introduction to him and his work and have a look at this Google search for recent researches and connections.) Deligny will return in Chapter 8, the ‘Three novellas’ chapter, at an important moment in the discussion of lines of flight, as a key positive source of inspiration (ATP 202-203), and again at the beginning of Chapter 11, ‘Of the refrain’, once more in a positive ‘opening’ moment (ATP 311-312, fn.1).

    After having given these 6 characteristics we find D&G moving the discussion through a kind of loose comparative analysis, whereby they look at the possible understanding of an arborescent/rhizomatic difference in specific fields, primarily in a discussion of a debate from within information science that they read in terms of an arborescent/rhizomatic difference, but there are also comments on the nature of  the difference between West and East in terms of the role of the tree, as well comments about America and bureaucracy. After 4 or 5 pages of this kind of discussion they again summarise the ‘characteristics’ of the rhizome (ATP 21) and then explain their use of ‘plateaus’, which is derived from Gregory Bateson’s work and deployed in order to subvert the book having a beginning, since each plateau is always ‘in the middle’ (intermezzo). Even in this closing discussion, however, we again find a kind of quick, rough and ready comparative analysis being deployed when they briefly discuss history, making the claim that ‘what is lacking is a nomadology’ (ATP 23).

    What we find by the end of this first introductory chapter is a baroque and convoluted form of philosophy, one in which a methodology is put forward (the rhizome) as the means by which a particular practice can be developed (schizoanalysis) but where this is done almost in a performative way, as thought it were presenting an example of the kind of rhizomatic practice being articulated and advocated for. Reading through ATP I am reminded of how often I have spun off into one of the references, such as the Deligny, not in order to simply understand what D&G are saying but because the connection offered through that reference opens a whole new world of possibilities. This ‘opening of a world of possibilities’ is, I think, one of the most important ways of encountering the rhizome, the lines of flight, the multiplicity that is schizoanalysis. It is at times intensely infuriating, particularly if what you want to do is ‘understand’ D&G quickly (usually in order to be able to dismiss it in favour of some preferred model). If, however, the goal is to develop what we might call a ‘schizoanalytic’ method, then this first chapter offers a clear example of both the possibilities and problems involved.

    One final note – the ‘philosophical’ background to much of the discussion of the rhizome – from within the work of Deleuze – lies in the problem of ‘multiplicity’ and at the heart of that are a whole bunch of interesting discussions regarding space and time, discussions that move from Kant’s account of the pure intuitions, through Bergson, Husserl and Heidegger up to the work of Deleuze in his Bergson book and elsewhere. I haven’t really noted any of this in any detail but wanted to leave a couple of references here for when I return to these notes:

    This extract from a lecture by Deleuze on Bergson’s theory of multiplicities, and this useful summary by John Protevi of Chapter 2 of Deleuze’s ‘ book Bergson’ on ‘Time and Free Will’.

    There is also this interesting connection to Anti-Oedipus and what is said about multiplicity as a substantive there:

    It is only the category of multiplicity, used as a substantive and going beyond both the One and the many, beyond the predicative relation of the One and the many, that can account for desiring-production: desiring-production is pure multiplicity, that is to say, an affirmation that is irreducible to any sort of unity. (AO Ch1, Part 6 end of first paragraph: Athlone 42).

    This obviously connects closely to what is said in the 3rd principle of the rhizome (ATP 8).

  • ATP reading notes 2 – the first 4 principles of the rhizome

    ATP reading notes 2 – the first 4 principles of the rhizome

    There are 6 principles of the rhizome that are outlined in the first chapter of ATP. They are introduced as ways of characterising the rhizome, although these are only “approximate characteristics” (ATP 7). There is something a little incongruous about the way they are introduced. The function of these characteristics, approximate as they may be, is to give a definition for the key methodological framework of the book, the rhizome, but the way that D&G introduce this set of defining principles is by saying that “we get the distinct feeling that we will convince no one unless we enumerate certain approximate characteristics of the rhizome” (ibid). The element of this that strikes me as incongruous is this way of phrasing things – “we get the distinct feeling that we will convince no one…” – which sounds almost patronising or dismissive. On the one hand, presumably, they are acknowledging an intention to ‘convince’ but on the other hand the ‘distinct feeling’ reads as though it were a kind of realisation that the people they are trying to convince would fail to follow along if D&G were to simply do their own thing. It’s as though these principles are offered as a kind of sop to stupidity, as though the need for a clear definition cannot be avoided, even though such a definitional mode is itself almost inherently non-rhizomatic because it presents itself as a foundational moment, a root or radicle.

    This performative paradox of a text that advocates rhizomatic readings having to begin by defining what a rhizome is as its foundation is most likely what underlies this odd way of introducing the principles of the rhizome. Despite what they say later in this introduction, that “a rhizome has no beginning or end; it is always in the middle, between things, interbeing, intermezzo” (ATP 25), the book has a physical front and back, it presents in a linear fashion, it builds upon itself as it progresses, it’s a tree, not a rhizome. Advocating for a rhizomatic book inside a book that is classically formed is most odd. In a time of non-linear text functions, with hyperlinks and e-books offering all range of possible horizons of reading, ATP feels a little old-fashioned and incongruous in many ways, advocating for a future in a form from the past that seems almost childishly limited in its possibilities. At the same time, the worry is that something deeper than mere form is the source of the problem here, something closer to the very function of philosophy, reason, argument and ‘convincing’ intellectual positions. Is it, in fact, possible to conceive a rhizomatic thought, one that can begin from the middle? Doesn’t all thought get structured by the fact that it always must begin somewhere and that this beginning is never, can never be, a middle? The problem of the ‘beginning’ of thought would take us right back to Hegel, Husserl and Heidegger and their obsessions with beginnings, and perhaps it’s as an attempt to break away from this that best accounts for the move towards the rhizome.

    The six principles are as follows:

    • 1 and 2 – principles of connection and heterogeneity
    • 3 – principle of multiplicity
    • 4 – principle of asignifying rupture
    • 5 and 6 – principles of cartography and decalcomania

    Some simple observations to begin with. There are supposedly 6 principles but as can be seen the first and last pairs are linked together. It’s also worth noting that in the discussions of both P1&2 and P5&6 the work of Chomsky is in the background as a contrasting perspective. The longest single discussion of any of these principles is of P4, where 3 paragraphs are devoted to it. In comparison P1, 2, and 3 get only a single paragraph each and P5&6 gets 5 paragraphs. It’s also worth noting that the famous example of the wasp and orchid is part of the discussion of P4, asignifying ruptures, not as one might assume from a lot of pub conversation, part of the map/territory discussion of P5&6. Finally, it’s worth noting that P5&6 is not the principle of the map and territory, even though there is a discussion of such, rather it’s the principle of maps and tracings. This notion of the trace, a concept we might more commonly associate with Derrida, is what underlies that strange word ‘decalcomania’. Having made these simple observations, I will briefly work through each principle. Before I do, however, one impressionistic response, which is the following: the presence and centrality of Chomsky, asignification, abstract machines and the rhizome itself seem likely to be derived far more from Guattari than from Deleuze, whereas in Anti-Oedipus the role of the three syntheses, the 5 paralogisms and the general structure of the argument as diagnosing a post hoc ergo procter hoc fallacy within psychoanalysis seems far closer to Deleuze’s classical style of doing philosophy. Roughly and impressionistically speaking this would suggest that of the two volumes of Capitalism and Schizophrenia, Deleuzian influence is strongest conceptually in AO and Guattarian influence stronger conceptually in ATP.

    1 and 2 – principles of connection and heterogeneity – “any point of a rhizome can be connected to anything other, and must be” (ATP 7). This begins the attempt to ‘exit language’ that underpins the rhizome as a method, the attempt to break open the linguistic, language and speaking priorities that dominate philosophy and academic analysis more widely, opening our analyses of assemblages to “organisations of power, and circumstances relative to the arts, sciences, and social struggles.” (ibid). It is not meaning that matter but function, although this does not imply that there is no meaning, only that meanings and connections between meanings are little more than moments of wider, more diverse (heterogeneous) types of connections. In Anti-Oedipusthis is the first synthesis, the synthesis of connection, where desire is involved in ‘putting to work’ the body – its’ formula or mode would be = ‘and’, ‘and then…’ (production).  [Paranoiac machine] (cf. Anti-Oedipus, Ch1, S.1; Ch.2, S3). One of the most notable aspects of the discussion of these first two principle is the claim that their criticism of linguistic models “is not that they are too abstract but, on the contrary, that they are not abstract enough, that they do not reach the abstract machine that connects a language to the semantic and pragmatic contents of statements, to collective assemblages of enunciation, to a whole micropolitics of the social field. (ibid)”. This is the first mention of ‘micropolitics’ to occur in ATP. It is, however, the second mention of these curious things called ‘abstract machines’ which are not to be mistaken for ‘abstractions’. I’m still curious about these ‘abstract machines’. They seem to be deployed against abstractions and universals, aiming to perhaps take over the functional role of those concepts whilst removing the recuperative and neutralising effect that Guattari thinks they have (cf. The Machinic Unconscious p52).

    3 – principle of multiplicity – “it is only when the multiple is effectively treated as a substantive, ‘multiplicity’, that it ceases to have any relation to the One as subject or object, natural or spiritual reality, image and world.” The heart of this principle appears to be an attempt to avoid a series of philosophical problematics that produce paradox or capture arguments, traps that traditional philosophical argument lays for the unwary. In particular, the strategic core of this principle, registered in the phrase ‘only when … effectively treated’, is aimed at attempts to find the essence or unity behind an assemblage under analysis. The key claim here is that “unity always operates in an empty dimension supplementary to that of the system considered (overcoding). The point is that a rhizome or multiplicity never allows itself to be overcoded…” and the reason it can never be overcoded is that in the act of overcoding (as when providing a ‘unity’ through an explanatory essence or principle perhaps) the multiplicity changes its nature (ATP 8). It might be interesting to compare Derrida’s thinking about supplementarity and the quasi-transcendental at this point, but that will have to wait for another time.

    4 – principle of asignifying rupture – “against the oversignifying breaks separating structures of cutting across a single structure” (ATP 9). If there is one moment that indicates clearly why we might accurately describe the project of D&G as ‘post-structuralist’ it might be this. If there was one principle I think is most productive for the practice of rhizomatic thinking that is being advocated for in this first chapter of ATP then I think it is this one. Philosophy and academic thinking, in particular, is so heavily imbued with the need to find ‘dualisms’, dichotomies, structural significations (the ‘break’, ‘turn’ or ‘transformation’) that it runs almost counter to rhizomatic thinking. Instead, the ‘wisdom of the plants’ that we might find by apprenticing ourselves to gardening, growing, cultivation, particular on a small non-industrial scale, teaches us far more easily than intellectual chatter. I’m going to declare an entirely biased position at this point, because I’ve been spending the last few years developing an increasing interest in growing and cultivating but despite this rather comical self-bias I can’t help but shake the sense that there is something critical here, something in the messy, connected, dirty business of gardening that has an insight which might be crucial, methodologically, for grasping the rhizome. It is in some sense trivial, but if you want to know what a rhizome is, start growing potatoes and then try removing them – or simply try and deal with an active rhizomatic organism such as bindweed. It is perhaps no surprise that it is in the discussion of this asignifying rupture that we encounter the charlatan shaman Castenada, there is always a fine line between wisdom and foolishness in the words that come out of the mouths of the shamans, although usually, such distinctions disappear rather abruptly in practice. (The other major example of a rhizomatic practice that appears is that of music – this in part explains the image at the head of the chapter and will no doubt connect to the role of the ‘refrain’).

    Despite this strong connection to a non-intellectual ‘wisdom’ the core point of the rhizome and of the principles that D&G are outlining is still to provide a methodology for analysing assemblages (for analysing systems in the world) that is effective and useful, that is, we might even want to say ‘better’ (although that always depends on what it is better at). In particular the concept of aparallel evolution that is deployed at this point in the discussion connects strongly with debates, practices and possibilities for evolutionary science, in effect suggesting that one method for thinking about nature within an evolutionary framework is better than another, where better here would mean something like ‘having greater explanatory power’ (ie: it would be better abductive reasoning to deploy rhizomatic methodology). In terms of understanding schizoanalytic ‘jargon’, in particular, the concept of deterritorialization, the discussion of aparallel evolution is illuminating. As opposed to the model of ‘lines of development’ and the evolutionary tree, where the most complicated form might be something like co-evolution or forms of symbiosis, aparallel evolution posits a far higher degree of ‘flow’ and ‘conjunction’ – “evolutionary schemas would no longer follow models of arborescent descent going from the least to the most differentiated, but instead a rhizome operating immediately in the heterogeneous and jumping from one already differentiated line to another” (ATP 10).

    At this point I’ll take a break and return to this chapter, beginning from the last two principles, in the next post in this series. This week (13 October) the reading group was covering Chapter 2 (1914: one or several wolves) and next week will be starting on Chapter 3, so my plan is to catch up to where we are at in the group so I can write up my notes after each session.

  • Reading ‘A Thousand Plateaus’ #1 – ‘rhizome, root and radicle’

    Reading ‘A Thousand Plateaus’ #1 – ‘rhizome, root and radicle’


    A new year and a new reading for the London based group, with ‘A Thousand Plateaus’ (ATP from now on) being this years choice. I skipped most of last year when they were reading ‘Difference and Repetition’, mainly because I’m very familiar with that book but also because it doesn’t currently play a central part in my research, so it’s interesting to be back in the space of that reading group.

    I haven’t read ATP in a group setting before but as Guattari has increasingly come to be central to my own thinking, taking over from Deleuze in many ways, ATP and Anti-Oedipus have obviously begun to play more central roles in my work. These posts will aim to contain my notes and reflections as I work through the text.

    For information I will be referring to the 1996 Athlone edition of the text.

    Introduction: Rhizome

    This first chapter took us a couple of weeks to work through, in part no doubt because the first week was given over to introductions, some reading out loud and some ‘set-up’.

    D&G begin the book with self-reflection and methodology, most noticeably with a discussion about what a ‘book’ is. The very first line of ATP refers the reader back to Anti-Oedipus, but also to the multiple authorship of that text. Unlike the other chapters of ATP, this one has no date, reflecting the methodological role it plays with regard the other ‘plateaus’ or chapters.

    Methodologically D&G reject both the unified authorial role and what might be thought of as an established image of what a book is. The book is an assemblage (ATP: 4) but that’s hardly surprising, since assemblage seems such a generic term at this point that anything previously called an ‘object’ is now going to come under the term ‘assemblage’. What is specified is that assemblages have two sides, one that faces ‘the strata’ – which I suppose I read as that side of ontology that focusses on the more stable, fixed sense of things, where we can find ongoing identities and meaning – and another side that faces the ‘body without organs’ (BwO), that rather beautiful concept, derived from Antonin Artaud and developed in Anti-Oedipus. I suppose I read the BwO as something like that side of ontology that focusses on the more changeable, fluid sense of things, where we find something that has not yet entered the realm of identity but which is still fully material, real, bodied (my route into this was though the concept of ‘affect’ in D*G’s text ‘What is Philosophy’, so that’s the colour or tone to this sense of the BwO that I have). The assemblage is that nexus where flux and stability, BwO and Strata, are producing specific forms. Assemblage, then, becomes a concept in some sense analogous to ‘form’, although maybe more like ‘formation’. Perhaps we might substitute salva veritate ‘formation’ for ‘assemblage’.

    One important principle, however, derives from the thought that the book is an assemblage, which is that assemblages are to be specified not in terms of meanings but in terms of ‘quanta’ or function. As such trying to understand some core ‘meaning’ to ATP would be a little bit like trying to describe the deep meaning of a Haynes manual, which is a category error. The Haynes manual either functions well, by enabling someone to fix an engine, or it doesn’t. In practice, however, Haynes manuals tend to be useful to a degree. If you have enough basic knowledge, if you have the tools, if the vehicle or engine you’re working on hasn’t been modified, and if you don’t have any problems in understanding the manual itself, then it is quite probably going to be useful – but that’s a lot of variables to consider. On the other hand, there are often few options available for the person wanting to fix their engine themselves rather than employ a mechanic, although the advent of YouTube tutorials has expanded those possible options. If the analogy is to be pursued, it’s not immediately obvious what role ATP is to play nor what variables are at work in enabling it to be successful.

    Very soon after this first methodological point about books has been made D&G claim something which appears to many people to be problematic. They connect their comments on the book as an assemblage to the wider practice of literature – not, it’s worth noting, the wider practice of philosophy – and say the following:

    “A book itself is a little machine; what is the relation (also measurable) of this literary machine to a war machine, love machine, revolutionary machine, etc – and an abstract machine that sweeps them along? We have been criticised for overquoting literary authors. But when one writes, the only question is which other machine the literary machine can be plugged into, must be plugged into in order to work. Kleist and a mad war machine, Kafka and a most extraordinary bureaucratic machine … (What if one became animal or plant through literature, which certainly does not mean literarily? Is it not first through the voice that one becomes animal?). Literature is an assemblage. It has nothing to do with ideology. There is no ideology and never has been.”

    The thing that is often picked up here is the last couple of lines, in particular the claims about ‘ideology’, but this is to miss the far more curious claim at the heart of this passage. To begin with, ideology is simply not a concept D&G think useful and it’s discarded in Anti-Oedipus as a mistaken notion of truth imposed on the reality of desire. For someone who takes classical Marxism (particularly Frankfurt School stuff), Lacan or Zizek as their touchstone for radical politics this denial of ideology should indicate clearly why D&G are in many ways radically distinct from such positions. As a sidenote, this denial of ideology should also point fairly clearly towards why any ‘political theory’ that might arise from D&G is going to differ from the recent fashion for accounts that come under the framework of ‘political theology’.  Explicating and understanding this denial of ideology would go a long way to clarifying the major differences in position and method between D&G and those other political-philosophical trends. Yet for me it would also miss that curious claim which is far more interesting than worries about political theory, the claim that is framed as a rhetorical question, viz. “Is it not first through the voice that one becomes animal?” In the context of the passage in which this question arises it is literature, or the literary machine, that is a rather important piece of the puzzle.  I’d go so far as to think that the ‘literary machine’ is the most important methodological framework for understanding ATP.

    If this sense of the literary machine is the core methodological mode of ATP, then I think it makes it clearer why the development of the concept of the rhizome, in contrast to the root and radicle, is first explicated in terms of forms of books. If the root book constrains multiplicity by fixing it to a single ‘root’ principle or unifying concept, producing the ‘classical book’, the arborescent model of a literary machine, then the “radicle-system, or fascicular root” (ATP: 5) continues to constrain multiplicity by maintaining this root through a process of withdrawal or supplementarity, which presents as fragmentation but which hides its unifying concept in the depths. This supplementarity is the place where D&G try to distinguish the rhizomatic literary machine from the most ‘radical’ forms of the book, those forms offered by Burroughs, Joyce and Nietzsche, forms where we might suggest that the ‘deep unity’, the ‘spiritual root’ is language itself. “A strange mystification: a book all the more total for being fragmented” (ATP: 6).

    The next couple of moves lead up to the listing of the ‘characteristics of the rhizome’. The first move, having distinguished the rhizome from the root and radicle, is to claim that “the multiple must be made.…”, and this process of construction is described as ‘subtract the unique from the multiplicity’, which isn’t particularly helpful for me.  I don’t have much of a response to this. After this claim regarding the necessity of construction, however, there is another curious move, one in which plant and animal life are brought to the fore, with some sense that the choice of the rhizomatic is one that intends directly to draw upon or learn from the ‘natural world’. There is a deeper problematic here, one which I’ll no doubt return to, but it would form around something like the following question: do D&G use the rhizomatic mode in ATP because they think this is a more ‘natural’ mode, that it somehow has less distortion effects on our understanding of the world? The root and radicle modes of the literary machine are rejected because they constrict multiplicity, with the rhizomatic presumably therefore allowing such multiplicity greater freedom – but does enabling multiplicity this greater freedom somehow better ‘reflect’ reality? Now this imposition of the problem of ‘reflection’ is a huge mistake as it seems clear, even at this early stage in ATP, that any understanding ATP can offer will not be through producing an ‘accurate’ picture, model or reflection of reality, rather it’s going to have a use in so far as it’s productive of becomings we wish to engage in (becoming animal or becoming plant for example). Those ‘becomings’ displace the need that underlies the question of reflection with an alternative route to solutions through the problem that ‘accuracy of reflection’ is trying to overcome. This maybe enables us to refine the question: is the rhizomatic literary machine capable of producing a greater range of becoming-X than the root or radicle literary machine? D&G seem to think so. It’s interesting to wonder why, however, because I think answering this question enables us to understand the role of ‘deterritorialisations’. Roughly, a rhizomatic literary machine, with a greater degree of freedom in its possible connections, a greater degree of freedom as a multiplicity, presents a higher number of vectors of connection with other multiplicities / assemblages, a higher number of lines of flight. This production of a greater range of lines of flight constitutes a better way of connecting (rather than reflecting) the world around. Connection rather than reflection is the mode here. Not ‘is it true’ but ‘is it a good connection’.  After all, truth, if it isn’t simply deflated into triviality, is presumably just some kind, one kind, of ‘good connection’.

    I’ll pause here and take up the ‘characteristics of the rhizome’ (ATP: 7) next time.

  • On intention and sincerity

    On intention and sincerity

    I want to take a moment to think about why I am working with the dragon book and the ‘sabbatic current’. I’m not in any way connected to the Cultus Sabbati, I’m not a ‘sabbatic witch’ nor am I in any way able to, nor desire to, speak for or with any knowledge of that magical current. I am, as I have said previously, a chaos magician or sorcerer.  Those are the only terms I accept as useful or in any way accurate as descriptions of my thought and practice. So what is it that motivates the work with the dragon book, what’s my intention?

    If the ‘sabbatic current’, Andrew Chumbley or the Cultus Sabbati come across your horizon then one of the things likely to be heard is talk of obscurity, complexity, as well as mention of baroque and peculiar language. It’s also highly likely that some reference to the books that derive from the current will be expressed, books that are usually very expensive (although that is a subjectively influenced opinion – many academic books are ‘on sale’ for stupid prices, selling handfuls, and yet almost never quite as ‘valuable’ as an occult text, although I bought first editions of numerous Wittgenstein books when I was most obsessed with his work.)

    On the one hand, there is a dismissal of the work that surrounds the sabbatic current as pretentious, overly complex, or deliberately obscure, on the other a kind of elitism, self-selection and ‘holier than thou’ approach that seems out of sorts with an age in which everything is supposed to be accessible to all. Unless you have some direct contact with someone that cuts through this, where the face overwrites the image, it’s very easy for this current to appear as simply one amongst many that surrounds itself in devilish imagery, death soaked fantasies and overly showy transgressiveness. Whilst an aghori practising their tantra in Indian Hindu traditions might make an exotic image to be revered, if you live in the Christian West (not all the West is Christian, hence the distinction) the site of black clothed trendies gushing over the latest super expensive tome of dark magic is presumably to be reviled.

    I have no idea about the intentions of those who form part of the Cultus Sabbati, about their practices or personal status, nor do I have much interest. There is something of a ‘house style’ to the imagery around Xoanon Press but that’s the same with any sensible press who want to establish an identity, a presence. There is also something baroque about the language used by people like Chumbley and Schulke, although the baroque should not be dismissed quite so quickly as pretentious, something I’ll try and come back to at some point (this is a placeholder for a thought that crosses into Deleuze’s book on Leibniz and the role of the baroque in that). There is something mildly unsettling about the role of the books, their price, obscurity and influence on contemporary witch culture and ‘grimoire’ production, although as a long-standing bibliophile I have a conflicted relation to this and again it is something I will try and return to at another point. Despite all this, however, I’ve persisted for several years in drawing on and working with imagery and entities associated with and inspired by the work of the sabbatic current.

    Some of that work has been deeply satisfying and enlivening, some of it disappointing and deadening, but there are perhaps two strong roots, and many other minor tributaries, that have gradually woven together a background to the dragon book working. The first is a strong luciferic tendency, one that crosses over into my communism. From Milton, through the iconography and imagery of the morning star, to the moments of ecstatic contemplation of Epstein’s Lucifer when it sat outside the tea room in Birmingham Museum and Art Gallery, Lucifer has always been a friend. The second is a strong relation to Pan, which predates any encounter with words and is rooted in my childhood growing up in the Weald in Sussex but which returns regularly in various guises and forms. Amongst the other minor tributaries there is the love of lightning, a complex relation to words as carriers of ecstasy, the peculiar intimacy and activity of the hands and the exhaustions of dreaming.

    Extract from diary, 21st dec 2016.

    So, some brief notes on the first working of the Rite of the Black Sun.

    Carried out at the allotment, recently obtained during the Hieros Gamos. Much of the preparation has been trying to organise a ‘picture’ of the rite from the texts, structure, rhythm, content, symbolism. The actual rite itself, in terms of the texts in the DBOE, are difficult to work with in praxes, lifted from the page. They read a little like an amateur dramatics, but at the same time contain a sincerity of will. So it’s this that has to guide the work, that sincerity of will, in the grimoire, in the structures, in the incarnate reality of the dragon in the moment.

    So, a process of study, clarification, simplification, I want to say “sharpening” but that’s too hubristic, yet touches on the right direction of hubris. Connected, interweaved, that might be better – and there’s that moment when you lick the end of the thread before pushing it through the eye of the needle. To do, is everything. Quite what it is you do can never be determined in advance, only guided, indicated, symbolised.

    Bilo Bilo Hu () Bilo Bilo Hu.

  • Here be dragons.

    Here be dragons.

    For the last nine months my work has been increasingly focused on the Dragon, with the structure being formed primarily by The Dragon Book of Essex by Andrew Chumbley.  I’ve followed a path that has been very loosely inspired by the ‘sabbatical current for somewhere near a decade now, with the figures of Azra Lumial and Qayin being central to my work by operating as core entity structures around which much else was assembled.  My methodology is still primarily chaos magic and I’m not sure I feel any need to name myself as anything other than a chaos magician, although I’ve used the notion of ‘sorcerer’ for a wider public where the differentiating factors internal to magical practices are meaningless.  That being said, my chaos magic has pursued longer lines of enquiry and activity these last few years, although the syncretic hodge podge of interests is second nature.  I get bored easy, meh, tis the way things are.

    All that said, the last period of work, informally from last August and formally from November, has been centred on this one particular system that has absorbed all my focus.  At this point in time it is the Beltane moment, the time of the Bha ‘rite of the two horns’ within the draconic cycle of work and is also the moment when the seeds have taken root, sprouted and turned their green towards the sun.  It also feels like it’s time to explore this work in terms of the ‘public’ work of razorsmile.  This is therefore just a brief note to locate this moment, to initiate its’ flows inside the wider formations of the world.

  • Capitalism and the schizoanalytic unconscious.

    Capitalism and the schizoanalytic unconscious.

    (These notes provided the basis for a talk I gave to the A2Z group in London, March 31st 2017.  I have uploaded the fuller set of notes as a PDF here)

    “I am interested”, Guattari says, “in a totally different kind of unconscious. It is not the unconscious of specialists, but a region everyone can have access to with neither distress nor particular preparation: it is open to social and economic interactions and directly engaged with major historical currents”.  It is useful to think about Guattari’s interest by considering what he says in another essay – “molecular analysis is the will to a molecular power, to a theory and practice that refuses to dispossess the masses of their potential for desire”.  The schizoanalytic practice is thus a means by which desire is brought front and centre without it being subsumed under the priests of interpretation.

    This desire on the part of Guattari, to liberate the role of desire from the prisons of interpretation, is no doubt tricky to embrace.  As he notes in the essay ‘Everybody wants to be a fascist’, the core of this problem lies in the collective reality of desire.  At one point he reflects on the performative contradiction that might be thought to exist in the situation of an individual lecturer offering this schizoanalytic account – “in reality, everything I say tends to establish that a true political analysis cannot arise from an individuated enunciation” because “the individuated enunciation is the prisoner of the dominant meanings.  Only a subject-group can manipulate semiotic flows, shatter meanings, and open the language to other desires and forge other realities”.  

    This problem, of the individuated enunciation in relation to the group ear, becomes clearly visible when Guattari remarks, in the same essay on fascism, that “what’s the use of polemicising: the only people who will put up with listening to me any longer are those who feel the interest and urgency of the micropolitical antifascist struggle that I’m talking about”.  This acute sense of the limitations of those who will ‘put up with’ him appears to echo the actual practice of engagement with strange and psychotic discourses, no doubt reflecting Guattari’s continual concrete engagement with psychotics in institutions like La Borde.  The difficulties of dealing with the repetitions of psychotic language or behaviour often express themselves in terms of precisely this capacity to ‘put up with’ things, a capacity that the wider socius – outside of a clinical setting – generally lacks.  One of the main difficulties someone with a ‘mental health problem’ encounters is the wearing down of their personal relationships as people refuse to ‘put up with’ behaviours and language that disrupts the smooth functioning of the social machine, a difficulty that is shared by anyone who speaks, writes or thinks in a way that doesn’t conform to the easy-mode game of social cues and interactions.  Most people prefer their games set to easy-mode.  So when Guattari  – who is often identified as one of the ‘deliberately obscure’ thinkers – acknowledges that he is difficult to listen to it might be thought that he is acknowledging the idiosyncrasies of his style.  It is, however, not simply the style of his language but the content of his thought that is what becomes difficult to listen to.

    The relation between the specific enunciator and the group ear, constitute the real terms of actual enunciation.  It stands in contrast with the “universal interlocutor”, that great imaginary face of reason in front of whom every rational speaker is supposed to stand, awaiting judgement.  Analysis, reason, explanation, all operate, for the most part, inside this system of the ‘judgement of God’, in which the particularity of the statements are meant to be swept away in favour of the universality of the supposed ‘truth’ they attempt to articulate.  Yet this strange, abstract model of reason hides in plain sight a simple lie, which is that what is said is what matters.  This lie, that it is what is said that matters, removes that crucial and seemingly incontrovertible reality of the ear.  In practice the users of language constantly negotiate with the ear, constantly re-speak their words as they negotiate with the ear of their interlocutor, a negotiation that constitutes the basis of ‘personal relationships’.  The to-and-fro between one individual and another in an intimate relationship reveals the reality of the ear in the word – what the other hears matters more than what words were used and the words are highly fungible in the struggle to make oneself heard or to hear what someone means.  Anyone who fails to realise this will have many failed relationships.  What you think you said matters less than what they know they heard.

    Whilst this problem of the ear is acute in the relations people have with the ‘psychotic’ individual, it is prevalent to one degree or another in all talk, in all discourse.  It’s not a clean problem, however, not an error that can be corrected.  Rather it’s a dirty problematic, one that refuses to be washed away and which calls for other strategies, ones that cannot be prescribed but which must be acquired.  When Guattari says that the ones who will put up with him are the ones ‘who feel the interest and urgency’ of the problem he is addressing it is crucial to hear this emphasis on feeling.  The collective conversation, this coming together of mouth and ear, is grounded in this ‘vague sense’ that we ascribe to feelings.  It may be true that I feel before I think but what is forgotten is that I don’t stop feeling once I begin to think.  Thought is only ever alive and real, actual, when it is within a specific network of feelings.  There is no actual thought in the pages of a book left on the shelf, at best only virtual thought.  There is no thought without a tone of existence, without an ‘affect’ within which it is both produced and constrained.

    It’s easy to find much talk of ‘affect’ in modern philosophy and critical thought, although it is perhaps waning as the flavour of the month.  Yet the connection between ‘affect’ and the ‘schizoanalytic unconscious’ is strong and thinking them together can amplify their capacity to be useful tools in making the world thinkable.  In the contemporary world the problem of a political future distinct from the one we live in is deeply constrained by the problem of ‘thinkability’.  We hear the idea that “a radically different future is unthinkable”, a point that has been made enough times now to become almost second nature to many.  Yet the problem of the unthinkable future is best encountered not through pessimism but through a kind of joy, a joy that rests in the fact that thought is explosive.  What I mean by this is that thought operates not in a causal sequence but in terms of excessive moments, those breakthroughs, sudden glimpses, the shifts and slides of the ‘aha!’ moment, what sometimes goes under the name of ‘insight’, a term not without it’s own difficult implications.  In this situation if the problem of the moment is that the future is unthinkable then, at the same time, this blockage is deeply fragile.  All it takes is for the thought of the future to arrive for the damn to burst.

    This ‘all it takes’ is not nothing, however, it is not there to suggest an easy way to thinking the future but rather to indicate that peculiar fragility which perhaps cannot be perceived in the present but that, nevertheless, we can wager exists.  The wager becomes easier to make if the stakes are placed on the right horse and it is in this that the role of ‘affect’ and the ‘schizoanalytic unconscious’ can help, predominantly by replacing the ‘cognitive priority’ conception of consciousness.  Within this conception of consciousness thought is conceived as a series of moments,usually moving from starting point to conclusion, whereby an ‘input’ is transformed into an ‘output’.  This model of transformation is deeply delusional and massively idealistic.  It assumes some kind of autonomous module that exists within the ‘mind’ and which mediates the input/output relations, relations in the broad sense between ‘world’ as input and ‘behaviour’ as output.  Instead of such an abstractly autonomous module, consciousness is instead a kind of shape, one that exists within a network of relations and which possesses only as much autonomy as is possible within the particular state of relations.  That network of relations which places limits of the amount of autonomy possible is what can be thought with the concepts of ‘affect’ and the ‘schizoanalytic unconscious’.  The material body that thinks exists inside the social relations it is organised into, which it expresses as a particular set of affects (feelings) that in turn constitute the landscape of its possibilities, it’s ‘schizoanalytic unconscious’.

    These four elements – the material body that thinks, the social relations, the sets of affects and the landscape of possibilities – all operate to constitute a world and each is malleable to a greater or lesser degree.  A political thought which takes each seriously and which understands them to be moments of the articulated whole needs to think of causality less as a sequence of temporal moments and more as a fluid articulation of complex connections between points, as a set of vertices and edges.  The shape that is constituted by the vertices and edges is the contemporary world of the subject, it is, in effect, the shape of consciousness at any particular moment.  Within contemporary capitalism the shapes of consciousness continually undergo a set of pressures that attempt to ‘push’ such shapes into a particular mould, that attempt to fit square pegs into round holes, or more exactly that attempt to fit variable pegs into round holes.  The round hole is constituted by ‘capital’, by an abstract, non-conscious yet non-material force – a law of production – that is capable of direct effect on the points and lines that form the shape.  It’s capacity to deform the shapes of consciousness rests in the force it brings to bear on the shapes of consciousness, forces which produce, amongst others, the idea of the ‘wage labourer’, but which operates, fundamentally, as the primary force acting on contemporary consciousness.  To that extent our problematic can be stated quite clearly – capitalism and contemporary consciousness are connected, but is the connection contingent or necessary?.

  • New essay published

    New essay published

    enigmatic-absoluteI don’t publish much, mainly because I write slowly, but a new essay has just come out.  It’s entitled  ‘Sorcery, thought and the ghosts of departed quantities’ and is a discussion of various types of knowledge, largely prompted (as is much of the work in this collection) by the work of Quentin Meillasoux.  It’s part of a really interesting collection of work and is accompanied by an image from a great artist, Residue, who agreed to let me include his work alongside the essay.  It’s available from Amazon.

  • Making a body that questions

    Making a body that questions

    franz-fanon-tony-b-consciousThere’s been a little flurry of activity, with regards papers and the like, over the last month or so and the last part of that flurry was a lecture and workshop on the work of Fanon, held at Goldsmiths University on 13th November.  Eric Harper, with whom I’m writing a book, co-presented and the session consisted of a short lecture by Eric and then me, followed by an hour and half workshop.  I will post some reflections on the session at a later date, hopefully later this week, but for now here’s the notes I used as the basis of my lecture, mainly made available because I said I would do so for the participants.  As with most lecture notes, I expect they are slightly fragmentary for anyone who wasn’t at the session.

    thumbnail of Makingabodythatquestions (1)

  • Molecular revolution – on the question of organisation

    Molecular revolution – on the question of organisation

     

    I gave this paper at a recent workshop in London organised by a seminar of philosophers, psychoanalysts and artists.  It’s a para-academic space that I’ve been attending for a while now and which has proven to be one of the most open and constructive intellectual places I’ve know in recent years.  To that end it enabled a little ‘loosening up’ of the academic rigmarole which meant some slightly more experimental, ‘in formation’ thought could be articulated.  I’m still working on Guattari and will no doubt have to continue for a lot longer, but the interplay between the machinic or algorithmic, the potentials of big data, the impacts on subjectivity and revolutionary desire and the possibility of perhaps escaping the liberal individualist mode of political thinking is what lies behind the work here.

    thumbnail of MolecularRevolution -draft two

    There’s a copy of the paper on my Academia page as well if you happen to be on that site.